See Also: CommuniquéPro Continued
CommuniquéPro is a standard software package for Strand
Lighting’s 500 Series Consoles and GeniusPro or Lightpalette
Operating software. It provides the following communication features:
The following topics are covered in this section:
Up to 12 Submasters can be remotely controlled by external faders or a manual desk such as Strand Lighting’s LX. If the Submasters have been configured as macro triggers, then only an external volt-free switch contact is required since a +10v supply pin is provided on the Remote Analog Input connector. This facility could be used to allow a stage manager to control house lights, or to trigger any macro, or to run a cue remotely.
This section includes the following topics:
Setting Up External Submasters
Setting Up External Submasters as a Macro Trigger
If a Submaster has been configured as a macro trigger, then only an external volt-free switch contact (such as MIDI, RS232, RS485, audio; perhaps a ‘click’ track, or via an approved digital input card) is required since a +10v supply pin is provided on the Analogue Input connector. This facility could be used to allow a stage manager to control house lights, or to trigger any macro, or to run a cue remotely.
To set up, go to the SUBMASTER
screen and set the relevant Submaster Ext field the same as for
External Submasters.
This is one of the console’s most powerful communication features and allows an external DMX source, for instance an FX desk, to be combined with the existing console dimmer patch.
DMX IN has two operating modes which can be used together:
DMX In Dimmer Mode patches the incoming DMX levels to outgoing DMX via the dimmer patch. A user selectable Submaster fader can master these dimmer levels. They cannot be recorded and are not visible on the LIVE screen. [first 512 dimmers only].
Channel Mode uses the incoming DMX levels as the contents of a user selectable Submaster. A user selectable Submaster fader can master these channel levels. The levels are visible on the LIVE screen when they are active and are recordable. [max. 512 channels]
This section covers the following topics:
Set the DMX field in the Console Setup Screen to DMX IN.
Note: Only the last available DMX connector can optionally input 512 signals if it is not outputting signals.
To patch DMX IN Dimmers go to the PATCH screen by pressing the [PATCH] screen key.
DMX IN Dimmers are identified on the display by a trailing D (e.g. 1D, 2D, 50D) and are displayed in magenta.
To change the default use one of the following commands:
Once you have configured a Submaster
as DMX IN and set up the patch, connect your DMX source to the
DMX IN port and push the Submaster fader up.
You won’t be able to see any changes in the LIVE screen, as dimmer levels are not displayed. Look at the lights being driven by your console; those patched to the external source will be controlled by it and the levels mastered by the Submaster fader.
This feature allows show playback
to be controlled from a MIDI show controller. MIDI is used to
link equipment with a MIDI interface together.
CommuniquéPro support different
parts of the MIDI Specification to achieve different degrees of
remote control for console functions.
Full information on MIDI can be
obtained from:
The International MIDI Association (IMA),
23634 Emelita Street,
Woodland Hills,
CA 91367 USA.
Tel: 818/598-0088 Fax: 818/346-8578
This section covers the following topics:
Controlling Effects Using MIDI
MIDI sends time information to
keep equipment in synchronisation with each other, often referred
to as tempo. A master device, normally a sequencer or keyboard,
sends out these timing signals at regular intervals. Speed up
the tempo and more signals are sent, reduce the tempo and fewer
signals are sent.
CommuniquéPro can receive
these timing signals and use the frequency at which they are received
to control the speed of a running Effect.
The Effect Step Control must be set to MIDI. The
number of timing signals received before the effect steps are
advanced can be adjusted on the effect playback by adjusting the
MIDI RATIO supermaster fader.
CommuniquéPro also receives two additional MIDI timing commands: STOP which halts the effect and START which continues running the effect. A MIDI device normally sends out these commands when the tempo is stopped or started.
MIDI Show Control (MSC) is a sub-set of the MIDI Specification dedicated to controlling show equipment.
CommuniquéPro currently supports the recommended Minimum Set which is defined as a ‘Simple Controlled Device; no time code; basic data only’. More specifically:
GO Acts as a normal GO button and resumes a fade after it has been stopped.
RESUME Starts the next cue; it does not resume the previous fade.
GO CUE #.# Go cue, where #.# is a specific cue (same as CUE #.# GO).
STOP Stops the current fade.
FIRE # Runs user macro # (# from 0 to 127).
LOAD #.# Loads the X playback with cue #.#.
ALL_OFF Blackout on.
RESTORE Blackout off.
RESET & GO_OFF Go Cue 0.
Note: All playback actions take effect only on X playback 1.
MSC output is activated when the MSC ID Tx option in the MIDI Window in the Show Setup Screen is set to a value between 0 and 127. If the MSC ID Tx is OFF no MSC messages are transmitted. Received MSC messages are only accepted if the MSC ID Rx matches the received message ID or the MSC ID is set to 127 (All Call).
Note:Midi Show Control GO_OFF does not run cue 0. Instead use MSC RESET instead. Also, Midi Show Control does not support playback 2. Instead fire a macro containing the GOX2 key.
The Midi Note On and Note Off
commands are received and used to flash Submasters or channels.
The Notes field in the MIDI window
of the SHOW SETUP screen can be set as follows.
OFF Any received Note On or Note Off is ignored.
FADERS The Note number matches faders 1 to 12.
SUBS All Note On/Off messages will cause a Submaster to
be flashed.
ssed) of the MIDI note message is acted upon. When Velocity is
OFF, any velocity greater than 0 is treated as full on,
and 0 is off. When Velocity is ON the velocity determines
the
The Velocity option determines if the velocity (strength at which a key is deprelevel to which the bump key is flashed: press a key hard the level is high, press a key lightly and the level is low.
This section is for experienced MIDI programmers only.
Control Change
Consists of two General Purpose Controllers, 1 for faders the
other for keys. General Purpose Controller 1 MSB (Controller 10h)
and LSB (controller 30h) is used for faders and General Purpose
Controller 2 MSB (Controller 11h) and LSB (controller 31h) is
used for keys.
|
|
Dir |
Bn 10 01 30 xx … Bn 10 78 30 xx | Channel/Submaster Fader 1…120 | r,t |
Bn 10 79 30 xx | X1 Up Fader | r,t |
Bn 10 7A 30 xx | X1 Down Fader | r,t |
Bn 10 7B 30 xx | X2 Up Fader | r,t |
Bn 10 7C 30 xx | X2 Down Fader | r,t |
Bn 10 7D 30 xx | Grand Master 1 Fader | r,t |
Bn 10 7E 30 xx | Grand Master 2 Fader | r,t |
Bn 10 7F 30 xx | undefined | - |
Bn 11 00 31 xx | MIDI Beat Event | r,t |
Bn 11 01 31 xx | MIDI Trigger Event | r,t |
Bn 11 02 31 xx | Bump Key | r,t |
Bn 11 03 31 xx | Bump Key Up | r,t |
Bn 11 04 31 xx | C-Key | r,t |
Bn 11 05 31 xx | C-Key Up | r,t |
Bn 11 06 31 xx | MIDI Macro Event | r,t |
Bn 11 07 31 xx | Wheel Up | r,t |
Bn 11 08 31 xx | Wheel Down | r,t |
Bn 11 09 31 xx | Reserved - MSC Go Next Q | r,t |
Bn 11 0A 31 xx | Reserved - MSC Go Q | r,t |
Bn 11 0B 31 xx | Reserved - MSC Stop | r,t |
Bn 11 0C 31 xx | Reserved - MSC Load Next Q | r,t |
Bn 11 0D 31 xx | Reserved - MSC Load Q | r,t |
Bn 11 0E 31 xx | Reserved - MSC Raw | r,t |
Bn 11 0F 31 xx | XF Flash | r,t |
Bn 11 10 31 xx | Blackout | r,t |
Bn 11 11 31 xx | Flash Solo | r,t |
Bn 11 12 31 xx | Off Latch | r,t |
Bn 11 13 31 xx | X Man Time | r,t |
Bn 11 14 31 xx | AB Man Time | r,t |
Bn 11 15 31 xx | KA-Key | r,t |
Bn 11 16 31 xx | KA-Key Up | r,t |
Bn 11 17 31 xx | KS-Key | r,t |
Bn 11 18 31 xx | KS-Key Up | r,t |
Bn 11 19 31 xx | Trackerball X Left | r,t |
Bn 11 1A 31 xx | Trackerball X Right | r,t |
Bn 11 1B 31 xx | Trackerball Y Up | r,t |
Bn 11 1C 31 xx | Trackerball Y Down | r,t |
Bn 11 1D 31 xx | Rotary 1 Up | r,t |
Bn 11 1E 31 xx | Rotary 1 Down | r,t |
Bn 11 1F 31 xx | Rotary 2 Up | r,t |
Bn 11 20 31 xx | Rotary 2 Down | r,t |
Bn 11 21 31 xx | Rotary 3 Up | r,t |
Bn 11 22 31 xx | Rotary 3 Down | r,t |
Bn 11 23 31 xx | Rotary 4 Up | r,t |
Bn 11 24 31 xx | Rotary 4 Down | r,t |
Bn 11 25 31 xx | PB Wheel Up | r,t |
Bn 11 26 31 xx | PB Wheel Down | r,t |
Bn 11 27 31 xx | Reserved Colour keys | r,t |
Bn 11 28 31 xx | Reserved MTC | r,t |
Bn 11 29 31 xx | KT-Key | r,t |
Bn 11 2A 31 xx | KT-Key Up | r,t |
Bn 11 2B 31 xx | KM-Key | r,t |
Bn 11 2C 31 xx | KM-Key Up | r,t |
Bn 11 2D 31 xx | Reserved | r,t |
Bn 11 2E 31 xx | KEM-Key | r,t |
Bn 11 2F 31 xx | KEM-Key Up | r,t |
Bn 11 30 31 xx | External Fader | r,t |
Bn 11 7A 31 xx | M-Bump Key | r,t |
Bn 11 7B 31 xx | M-Bump Key Up | r,t |
Bn 30 xx | LSB of Fader Events (see above) | |
Bn 31 xx | LSB of Misc Events (see above) |
C-Key/C-Key Up codes:
01 | SAVE | 02 | DELAY |
03 | WAIT | 04 | DEFAULT_PATCH |
05 | ATNON | 06 | RENUM |
07 | DELETE | 08 | CLEAR_SUB |
09 | CLEAR_FX | 0A | BUMP_UP |
0B | BUMP_DOWN | 0C | BUMP_REL |
0D | AT_PATCH | 0E | AT_FRAME |
0F | DEFAULT | 10 | DELCHAN |
11 | DELMACRO | 12 | WHL_PAGE_DOWN |
13 | WHL_PAGE_UP | 14 | SOLO_REL |
15 | SHIFT_PC | 16 | CLEAR_LOG |
17 | BUMP | 18 | LEARN |
19 | DELETECUE | 1A | DELETEGROUP |
1B | DELETELAW | 1C | OPER_LOAD |
1D | APPL_LOAD | 1E | SYNC |
1F | TEST | 20 | DISPLAY |
21 | USER | 22 | LIVE |
23 | PC_EXIT | 24 | PRINT_STOP |
25 | PRINT_START | 26 | CLEAR |
27 | PC_LCD | 28 | CUE_LEFT |
29 | CUE_RIGHT | 2A | ENTER |
2B | PLUS | 2C | EDIT |
2D | MINUS | 2E | DOT |
2F | SLASH | 30 | 0 |
31 | 1 | 32 | 2 |
33 | 3 | 34 | 4 |
35 | 5 | 36 | 6 |
37 | 7 | 38 | 8 |
39 | 9 | 3A | REC_TIME |
3B | REC_NO_SUBS | 3C | THRU_ON |
3D | FORMAT | 3E | THRU |
3F | HELP | 40 | AT |
41 | AT_COL | 42 | BLACKOUT |
43 | CUE | 44 | DIMMER |
45 | HELP_BACKUP | 46 | FX |
47 | GROUP | 48 | HOLD |
49 | REM_DIM | 4A | REC_MODE |
4B | STOP_BACKX2 | 4C | LAST |
4D | MACRO | 4E | NEXT |
4F | ON | 50 | PB |
51 | SUB_PAGE | 52 | RECORD |
53 | SUB | 54 | TIME |
55 | CUTX2 | 56 | UNDO |
57 | BUMP_MODE | 58 | LOADX2 |
59 | DISK_LOAD | 5A | FULL |
5B | F1 | 5C | F2 |
5D | F3 | 5E | F4 |
5F | F5 | 60 | F6 |
61 | LOADA | 62 | LOADB |
63 | CLR | 64 | FXDIR |
65 | FXSTEP | 66 | FLASH_SOLO |
67 | GOX1 | 68 | FX1 |
69 | FX2 | 6A | FX3 |
6B | STOP_BACKX1 | 6C | OFF_LATCH |
6D | FXAUDIO_MIDI | 6E | X_MAN_TIME |
6F | DISPLAY_PC | 70 | XGO_STOP |
71 | AB_MAN_TIME | 72 | RATE |
73 | SHIFT | 74 | FXTYPE |
75 | CUTX1 | 76 | FXFADE_TIME |
77 | FXSTEP_TIME | 78 | LOADX1 |
79 | XFFLASH | 7A | XFSPARE |
7B | CURSOR_LEFT | 7C | CURSOR_UP |
7D | CURSOR_RIGHT | 7E | CURSOR_DOWN |
7F | CLEAR_DIAG |
KA-Key/KA-Key Up codes:
01 | LCD1_F1 | 02 | LCD1_F2 |
03 | LCD1_F3 | 04 | LCD1_F4 |
05 | LCD1_F5 | 06 | LCD1_F6 |
07 | LCD2_F1 | 08 | LCD2_F2 |
09 | LCD2_F3 | 0A | LCD2_F4 |
0B | LCD2_F5 | 0C | LCD2_F6 |
0D | P1 | 0E | P2 |
0F | P3 | 10 | P4 |
11 | P5 | 12 | P6 |
13 | P7 | 14 | ORDER |
15 | REPORT_DISPLAY | 16 | MORE_DISPLAY |
17 | MACRO_DISPLAY | 18 | SETUP_DISPLAY |
19 | ARCHIVE_DISPLAY | 1A | FX_DISPLAY |
1B | PATCH_DISPLAY | 1C | GROUP_DISPLAY |
1D | OUTPUT_DISPLAY | 1E | SUB_DISPLAY |
1F | CUE_DISPLAY | 20 | LAST_SCREEN |
21 | SHUT_DOWN | 22 | LAW_DISPLAY |
23 | LAW_INSERT_POINT | 24 | LAW_DELETE_POINT |
25 | FXSTART | 26 | FXSTOP |
27 | FXSELBACK | 28 | GOTO |
29 | FXPAUSE | 2A | FXSEL |
2B | FXTIME | 2C | FXLOAD |
2D | WHL_CC_SEL | 2E | BUMP_11 |
2F | BUMP_12 | 30 | BUMP_10 |
31 | BUMP_1 | 32 | BUMP_2 |
33 | BUMP_3 | 34 | BUMP_4 |
35 | BUMP_5 | 36 | BUMP_6 |
37 | BUMP_7 | 38 | BUMP_8 |
39 | BUMP_9 | 3A | PAGE_UP |
3B | FADER_BASE_PAGE | 3C | X1_DOWN |
3D | FADER_CD_IN_UP_SELECT | 3E | FADER_CD_OUT_DOWN_SELECT |
3F | X2_UP | 40 | AT_ATT |
41 | FADER_A_SELECT | 42 | FADER_B_SELECT |
43 | FADER_C_SELECT | 44 | FADER_D_SELECT |
45 | ENTER_WHEEL_SELECT | 46 | FADER_FLASH_SELECT |
47 | GOX2 | 48 | FADER_GM2_SELECT |
49 | FADER_X1_IN_UP_SELECT | 4A | FADER_X2_IN_UP_SELECT |
4B | DOTOUTPUT | 4C | WHEEL_PB_SELECT |
4D | FADER_MIDI_SELECT | 4E | FADER_X2_OUT_DOWN_SELECT |
4F | FADER_X1_OUT_DOWN_SELECT | 50 | PROFILE |
51 | COPYPATCH | 52 | 510LOCK |
53 | 510LOCK_BACKUP | 54 | TEXT |
55 | UPDATE | 56 | FADER_GM1_SELECT |
57 | CLEAN_ATTS | 58 | FADER_FX_SELECT |
59 | CLOCKTIME | 5A | FADER_AUDIO_SELECT |
5B | WHEEL_UP | 5C | PAGE_DOWN |
5D | WHEEL_DOWN | 5E | TRACKBALL_LEFT |
5F | TRACKBALL_MIDDLE | 60 | TRACKBALL_RIGHT |
61 | TRACKBALL_FINE_ON | 62 | TRACKBALL_FINE_OFF |
63 | P8 | 64 | P9 |
65 | P10 | 66 | P11 |
67 | P12 | 68 | P13 |
69 | P14 | 6A | ROTARY_1_SELECT |
6B | ROTARY_2_SELECT | 6C | ROTARY_3_SELECT |
6D | ROTARY_4_SELECT | 6E | DIMMER_FILTER |
6F | SM1_SELECT | 70 | SM2_SELECT |
71 | SM3_SELECT | 72 | SM4_SELECT |
73 | SM5_SELECT | 74 | SM6_SELECT |
75 | SM7_SELECT | 76 | SM8_SELECT |
77 | SM9_SELECT | 78 | SM10_SELECT |
79 | SM11_SELECT | 7A | SM12_SELECT |
7B | ATT_PAGE_PREV | 7C | X2_DOWN |
7D | ATT_PAGE_NEXT | 7E | X1_UP |
7F | BLOCK |
KS-Key/KS-Key Up codes:
01 | FX_AUTO | 02 | FX_AUDIO |
03 | FX_MIDI | 04 | FX_MAN |
05 | PLUS_1 | 06 | LEVEL_ONLY |
07 | ATTR_ONLY | 08 | PART |
09 | MINUS_10_PERCENT | 0A | PLUS_10_PERCENT |
0B | DMX | 0C | DMX_CHAN |
0D | DMX_DIM | 0E | KEYS_LATCH |
0F | KEYS_ON | 10 | OFF |
11 | FLASH | 12 | SOLO |
13 | FLASH_SOLO | 14 | UPDATE_PART |
15 | UPDATE_ALL | 16 | CROSS_FADE |
17 | STA_TIME_DATE | 18 | LINK |
19 | LOOP | 1A | RENUM_FROM |
1B | FX_LOHI | 1C | FX_NEXT |
1D | FX_STOP | 1E | FX_CTRL |
1F | FX_LEVEL | 20 | TRACK |
21 | THIS_Q_ONLY | 22 | FORWARD |
23 | REVERSE | 24 | BOUNCE |
25 | RANDOM_DIR | 26 | CHASE |
27 | BUILD | 28 | NORMAL |
29 | INVERT | 2A | RANDOM |
2B | NORM_INVERT | 2C | INV_NORMAL |
2D | MOVE_FADE | 2E | ALL_FADE |
2F | DIAG_SCREEN_TOGGLE | 30 | PLUS_6 |
31 | MINUS_6 | 32 | MINUS_1 |
33 | SEL_FIRST | 34 | SEL_LAST |
35 | UNPATCH | 36 | ENABLE |
37 | MAN_FADE_X1 | 38 | MAN_FADE_X2 |
39 | RATE_X1 | 3A | RATE_X2 |
3B | RATE_UP_X1 | 3C | RATE_UP_X2 |
3D | RATE_DOWN_X1 | 3E | RATE_DOWN_X2 |
3F | UNRATE_X1 | 40 | UNRATE_X2 |
41 | AUTO_X1 | 42 | AUTO_X2 |
43 | MAN_TIME_X1 | 44 | MAN_TIME_X2 |
45 | SEQ_ON_X1 | 46 | SEQ_ON_X2 |
47 | SEQ_OFF_X1 | 48 | SEQ_OFF_X2 |
49 | INSTANT_X1 | 4A | INSTANT_X2 |
4B | KEYS_OFF | 4C | ATT_PAGE_1 |
4D | ATT_PAGE_2 | 4E | ATT_PAGE_3 |
4F | ATT_PAGE_4 | 50 | ATT_PAGE_5 |
51 | ATT_PAGE_6 | 52 | ATT_COL |
53 | ATT_PAN | 54 | ATT_TILT |
55 | ATT_IRIS | 56 | ATT_FOCUS |
57 | ATT_PRISM | 58 | ATT_GOBO |
59 | ATT_RGOBO | 5A | NOTES_CUT |
5B | NOTES_COPY | 5C | NOTES_DISPLAY |
5D | NOTES_PASTE | 5E | NOTES_SAVE |
5F | FIXTURE_LOAD | 60 | ATCPAGE_LOAD |
61 | SUP_SUB | 62 | SUP_FLASH |
63 | SUP_FX | 64 | SUP_AUDIO |
65 | SUP_MIDI | 66 | SUP_SLIGHT |
67 | SUB_NORMAL | 68 | SUB_INHIBIT |
69 | SUB_INDEP | 6A | SUB_SUPER |
6B | SUB_DMX | 6C | SUB_EXT |
6D | SUB_LOAD | 6E | SUB_FUNC |
6F | STEP_TIME | 70 | STEP_IDO |
71 | INSERT | 72 | NET_NODE_LINK_UNLINK |
73 | CHANS_IN | 74 | NET_NODE_ENABLE |
75 | NET_NODE_DISABLE | 76 | NET_CLEAR_COUNTS |
77 | RENUM_CHAN | 78 | COPY_FROM |
79 | AT_6K12K | 7A | AT_FIXTURE |
7B | INVERT_PAN | 7C | INVERT_TILT |
7D | SWAP_PAN/TILT | 7E | README_LOAD |
7F | NETCFG_LOAD |
KM-Key/KM-Key Up codes:
01 | KEYCFG_LOAD | 02 | PRINT_LOG |
03 | PRINT_NOTES | 04 | SET_DISK |
05 | CHANGE_DIRECTORY | 06 | COPY_SHOW |
07 | DELETE_SHOW | 08 | PRINT_SCREENS |
09 | MAKE_DIRECTORY | 0A | TEXT_DIRECTORY |
0B | TEXT_SHOW | 0C | TEXT_FILE |
0D | TIMECODE | 0E | SUB_EXCLUSIVE |
0F | HELP_LAST | 10 | HELP_NEXT |
11 | HELP_INDEX | 12 | HELP_END |
13 | GIVE_SYNC | 14 | TAKE_SYNC |
15 | GIVE_CTRL | 16 | TAKE_CTRL |
17 | RESET_DESK | 18 | BREAK_SYNC |
19 | RSM1_SELECT | 1A | RSM2_SELECT |
1B | RSM3_SELECT | 1C | RSM4_SELECT |
1D | RSM5_SELECT | 1E | RSM6_SELECT |
1F | RSM7_SELECT | 20 | RSM8_SELECT |
21 | RSM9_SELECT | 22 | RSM10_SELECT |
23 | RSM11_SELECT | 24 | RSM12_SELECT |
25 | LOGIN | 26 | QUIT |
27 | SAVE_SETUP | 28 | BACKUP_COMMANDS |
29 | NCUE | 2A | NSUB |
2B | NFX | 2C | NGROUP |
2D | APPEND_STEP | 2E | QUICK_GIVE_SYNC |
2F | QUICK_TAKE_SYNC | 30 | XREF_CHAN |
31 | ATT_FILTER_1 | 32 | ATT_FILTER_2 |
33 | ATT_FILTER_3 | 34 | ATT_FILTER_4 |
35 | ATT_FILTER_5 | 36 | ATT_FILTER_6 |
37 | SUMMARY | 38 | DIM_AT_CHAN |
39 | DIM_BACKUP | 3A | APP_SAVE_PASSWORD |
3B | DIM_HI_DC | 3C | DIM_OLOAD |
3D | DIM_OHEAT | 3E | DIM_OP_ERR |
3F | DIM_L_LIM | 40 | DIM_TRIP |
41 | STOP_SHOW | 42 | DIM_CONFIG_LOAD |
43 | DIM_CLR | 44 | DIM_RE_SYNC |
45 | DIM_L_LEARN | 46 | DIM_RACK |
47 | ORDER_CHAN | 48 | LOADS_ON |
49 | LOADS_OFF | 4A | PRINT_DIM_LOG |
4B | LAST_8 | 4C | NEXT_8 |
4D | NEXT_4 | 4E | LAST_4 |
4F | MACRO_PLUS_100 | 50 | MACRO_MINUS_100 |
51 | MACRO_RUN | 52 | SUB_PAGE_PLUS |
53 | SUB_PAGE_MINUS | 54 | SUB_DOWN_PERCENT |
55 | SUB_UP_PERCENT | 56 | SUB_BUMP |
57 | 510_SELECT | 58 | LOAD_X1 |
59 | LOAD_X2 | 5A | GOTO_0_X1 |
5B | GOTO_0_X2 | 5C | CONTRAST_UP |
5D | CONTRAST_DOWN | 5E | BACKLIGHT_UP |
5F | BACKLIGHT_DOWN | 60 | EVENT_STEP |
61 | PAUSE_CLOCK | 62 | INTERNAL_CLOCK |
63 | TO_BEGIN_LIST | 64 | TO_END_LIST |
65 | UNBUMP_ALL | 66 | STOP_ALL_FX |
67 | HH_PLUS | 68 | HH_MINUS |
69 | MM_PLUS | 6A | MM_MINUS |
6B | SS_PLUS | 6C | SS_MINUS |
6D | FF_PLUS | 6E | FF_MINUS |
6F | 5_FF_PLUS | 70 | 5_FF_MINUS |
71 | RESET_TIME | 72 | MACRO_FIRST |
73 | SUB_TO_0_PERCENT | 74 | SUB_TO_100_PERCENT |
75 | EXTERNAL_CLOCK | 76 | EVENT_DELETE |
77 | EVENT_INSERT | 78 | EVENT_RECORD |
79 | EVENT_COLON | 7A | EVENT_MOVE |
7B | EVENT_COPY | 7C | EVENT_START |
7D | EVENT_STOP | 7E | EVENT_DISPLAY |
7F | EVENT_LEARN |
KEM-Key/KEM-Key Up codes:
01 | MOVEPATCH | 02 | SWAPPATCH |
03 | HELP_CONTENTS | 04 | HELP_GLOSSARY |
05 | HELP_HOME | 06 | AUTOMOD_DISPLAY |
07 | AUTOMOD_CLEAR | 08 | AUTOMOD_FROM |
09 | AUTOMOD_ON | 0A | AUTOMOD_UPDATE |
0B | AUTOMOD_SOURCE | 0C | AUTOMOD_DEST |
0D | PBX1_MODE | 0E | PBX2_MODE |
0F | HELP_QUICK | 10 | HELP_LINKS |
11 | AUTOMOD_OFF | 12 | ATTRIB |
13 | OFF | 14 | FX_RATE |
15 | PAUSE | 16 | EXIT_RESTART |
17 | VLCD_KEY1 | 18 | VLCD_KEY2 |
19 | VLCD_KEY3 | 1A | VLCD_KEY4 |
1B | VLCD_KEY5 | 1C | VLCD_KEY6 |
1D | VLCD_KEY7 | 1E | VLCD_KEY8 |
1F | VLCD_KEY9 | 20 | VLCD_KEY10 |
21 | VLCD_KEY11 | 22 | VLCD_KEY12 |
23 | VLCD_KEY13 | 24 | VLCD_KEY14 |
25 | VLCD_KEY15 | 26 | VLCD_KEY16 |
27 | VLCD_KEY17 | 28 | VLCD_KEY18 |
29 | VLCD_KEY19 | 2A | VLCD_KEY20 |
2B | VLCD_KEY21 | 2C | VLCD_KEY22 |
2D | VLCD_KEY23 | 2E | VLCD_KEY24 |
2F | VLCD_KEY25 | 30 | VLCD_KEY26 |
31 | VLCD_KEY27 | 32 | VLCD_KEY28 |
33 | VLCD_KEY29 | 34 | VLCD_KEY30 |
35 | VLCD_KEY31 | 36 | VLCD_KEY32 |
37 | VLCD_KEY33 | 38 | VLCD_KEY34 |
39 | VLCD_KEY35 | 3A | VLCD_KEY36 |
3B | VLCD_KEY37 | 3C | VLCD_KEY38 |
3D | VLCD_KEY39 | 3E | VLCD_KEY40 |
3F | VLCD_KEY41 | 40 | VLCD_KEY42 |
41 | VLCD_KEY43 | 42 | VLCD_KEY44 |
43 | VLCD_KEY45 | 44 | VLCD_KEY46 |
45 | VLCD_KEY47 | 46 | VLCD_KEY48 |
47 | MODEX1_1SCN_24SUB | 48 | MODEX1_2SCN_24SUB |
49 | MODEX1_1SCN_0SUB | 4A | MODEX1_2SCN_0SUB |
4B | SUB_GM1 | 4C | SUB_GM2 |
4D | QUIT | 4E | PANEL_RESCAN_CONFIG |
4F | PANEL_SAVE_CONFIG | 50 | ADD_ALL |
51 | NEW_FEATURES | 52 | FXLIST_DISPLAY |
53 | DB_REQ_KEY1 | 54 | DB_REQ_KEY2 |
55 | DB_REQ_KEY3 | 56 | DB_REQ_KEY4 |
57 | DB_REQ_KEY5 | 58 | DB_REQ_KEY6 |
59 | FADER | 5A | WHEEL |
5B | QUERY | 5C | LEVEL_INFO |
5D | ODD | 5E | EVEN |
5F | CHANNEL_STEP | 60 | ADD_SHAPE_CHANS |
61 | ATCPAGE | 62 | ATCPAGEDELETE |
63 | FIXTURE | 64 | FIXTUREDELETE |
65 | EVENT | 66 | AUTOMOD |
67 | PATCH | 68 | EVCMD |
69 | CUETYPE | 6A | CUECMD |
6B | FXMODE | 6C | ATT_FILTER_7 |
6D | ATT_FILTER_8 | 6E | ATT_FILTER_9 |
6F | ATT_FILTER_10 | 70 | ATT_FILTER_11 |
71 | ATT_FILTER_12 | 72 | TRACKBACK |
73 | 74 | ||
75 | 76 | ||
77 | 78 | ||
79 | 7A | ||
7B | 7C | ||
7D | 7E | ||
7F |
KT-Key/KT-Key Up codes:
Text keys use standard ASCII character set.
Note Off:
8n nn xx | bump key nn release | r |
Note Off:
9n nn xx |
|
r |
Polyphonic Key Pressure:
undefined | - |
undefined | - |
System Common Messages:
F0 | Start of Exclusive (see below) | r,t |
F1 xx | Midi Time Code | n |
F2 xx xx | Song Position Pointer | n |
F3 xx | Song Select | n |
F6 | Tune Request | n |
F7 | End of Exclusive (see below) | r,t |
System Exclusive:
Midi Show Control (MSC):
id = MSC ID: 00…6f, 7F - All Call
cf = MSC Command Format: 01 - Lighting, 7F - All Call
dd = Up to 5 bytes of optional data specifying cue number
tt = Up to 10 bytes of optional data specifying cue number and
fade time
mm = macro number
F0 7F id 02 cf 01 F7 | GO CUE (Hit GO key) | r |
F0 7F id 02 cf 01 dd F7 | GO CUE #.# (Load and GO) | r |
F0 7F id 02 cf 02 F7 | STOP CUE (Hit STOP key) | r |
F0 7F id 02 cf 03 F7 | RESUME CUE (Hit GO key) | r |
F0 7F id 02 cf 04 tt F7 | TIMED GO CUE (Load and GO + time) | n |
F0 7F id 02 cf 05 dd F7 | LOAD CUE #.# (Load) | r |
F0 7F id 02 cf 06 — F7 | SET | n |
F0 7F id 02 cf 07 mm F7 | FIRE (Run macro) | r |
F0 7F id 02 cf 08 F7 | ALL OFF (Blackout on) | r |
F0 7F id 02 cf 09 F7 | RESTORE (Blackout off) | r |
F0 7F id 02 cf 0a F7 | RESET (Stop then Load first Cue) | r |
F0 7F id 02 cf 0b F7 | GO OFF CUE (Load cue 0) | r |
Strand System Exclusive:
Strand Lighting ID = 00 20 01
ch = Channel number
pp = Product code: 01 - MX, 02 - GSX, 03 - LBX, 04 - 430, 05 -
530
ff = Function code: 00 - configuration, 01 - synchronisation
nn = Channel capacity (127 maximum)
mm = Model Mask: 01 - Genius, 02 - Kaleidoscope, 04 - Communiqué
F0 00 20 01 ch pp 00 nn mm | F7GSX nn Channel Genius | r,t |
System Real Time Messages:
F8 | Timing Clock, for stepping effects | r |
F9 | undefined | - |
FA | Start Clock, for stepping effects | r |
FB | Continue Clock, for stepping effects | r |
FC | Stop Clock, for stepping effects | r |
FD | undefined | - |
FE | Active Sensing (Break in comms) | r |
FF | System Reset |
CommuniquéPro also supports
a user definable MIDI trigger facility that can be programmed
to run a macro when a user specified message of up to three bytes
is received.
To configure, go to the MIDI window
in the Show Setup Screen. In the MIDI Trigger Macro field enter
the number of the macro that is to be triggered. In the MIDI Trigger
Bytes field enter the three trigger byte values [in decimal] you
require.
When Macro is OFF or all three
bytes are OFF, no triggers occur. When a trigger is received the
specified macro will be executed.
Bytes set to OFF are ignored, so triggers of from 1 to 3 bytes
can be used.
CommuniquéPro also supports triggering of a predefined macro number when the amplitude of the audio input exceeds a threshold determined by the setting of an Audio Threshold Supermaster. The macro number is set in the Audio Input Macro field of the Communications Window of the Console Setup Screen.
See Also: CommuniquéPro Continued
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