Does anyone have a technique for using Rem Dim with moving lights. (See only the mover on stage) All we've been able to come up with is an inhibitive for all of the conventional lights. This works but isn't quite as nice as Rem Dim. I've also used just the intensity channel for the conventional live display but this requires you to know which channel is the lamp channel and it's not always the first one in the profile (i.e. Cyberlights).
Thanks,
Mat
