Well, and the best of the best is having a MIDI note in and a MIDI note out (the same.. not two diffrent patch). When I use the Hog for theatrical application, I use some motorised fader to control desk Channel, and with a return of information, the fader move with the intensity of the fixture. The operator can increase the intensity of just one fixture if his cue is not really like he want. If the hog send directly the midi note with the dmx value, I win lot of time of programmation ...
Well, and the best of the best is having a MIDI note in and a MIDI note out (the same.. not two diffrent patch). When I use the Hog for theatrical application, I use some motorised fader to control desk Channel, and with a return of information, the fader move with the intensity of the fixture. The operator can increase the intensity of just one fixture if his cue is not really like he want. If the hog send directly the midi note with the dmx value, I win lot of time of programmation ...
