RE:

Sounds like what you want to do is what our UK friends call "busking". Or saying it in literal terms you want to be able to create the looks on-the-fly during the show depending on what the band plays next or how you feel.

Have you practiced or done a show where you record only certain parameters to a particular fader? Here's a simple example.

Say I have all conventionals and 1 set of 6 Cyberlights.

On Fader10 I would record a series of cues that are different looks for my conventionals.

On Fader9 I would record a series of cues that are only the color parameter of the Cybers. You do this by selecting USE C when recording.
Here's the long example, select all of the Cybers, set to full, pick a color, Choose fader 9, press Record, press Use C (on the right monitor), press Enter.

On Fader8 record a series of cues that are only Beam Parameters. Use B.

Fader9 for Position Parameters, and so on.

You can have a fader of cues using Effects from the Effect engine.

You can have a fader of Macros that start/stop cuelists that are not assigned to a fader.

Now when you want to playback at the show you simply Choose the fader and Goto the cue for the look you want.

While it takes a few seconds to "create" the look it leaves you maximum flexibility.

Does this make sense?

Sounds like what you want to do is what our UK friends call "busking". Or saying it in literal terms you want to be able to create the looks on-the-fly during the show depending on what the band plays next or how you feel.

Have you practiced or done a show where you record only certain parameters to a particular fader? Here's a simple example.

Say I have all conventionals and 1 set of 6 Cyberlights.

On Fader10 I would record a series of cues that are different looks for my conventionals.

On Fader9 I would record a series of cues that are only the color parameter of the Cybers. You do this by selecting USE C when recording.
Here's the long example, select all of the Cybers, set to full, pick a color, Choose fader 9, press Record, press Use C (on the right monitor), press Enter.

On Fader8 record a series of cues that are only Beam Parameters. Use B.

Fader9 for Position Parameters, and so on.

You can have a fader of cues using Effects from the Effect engine.

You can have a fader of Macros that start/stop cuelists that are not assigned to a fader.

Now when you want to playback at the show you simply Choose the fader and Goto the cue for the look you want.

While it takes a few seconds to "create" the look it leaves you maximum flexibility.

Does this make sense?