Some (big) ideas

Hi there!

I am a huge fan of the GrandMa desks, so my ideas to the Hog3 are kind of a copy of what the GrandMa already does. One thing that would be great are of you could have more options for the masters. Like being able to tap the rate of a chase. Or setting the rate and/or size of an effect running on the master. Also, it would be great to be able to have have more than one master per list, and use these for different parameters of the list. (Like executor size in GrandMa. As i said, very inspired)

I would also be able to put fixtures on the masters, for controling the intensity of these fixtures (instead of selecting and using encoders to program). I want to select a fixture, and then store it under a master, and then that master becomes a fader for that fixture (or group if so programmed). So this is similiar to a feature in GrandMa where the channels (not fixtures) is put on the faders, but with the difference that i my self can select which fixtures or groups to put on which faders, in which page. Would be absolutely great when programming ie theatre with a lot of dimmers.

I want a manual timing feature (to put on one of the masters). Also like the manual feature in GrandMa, but with the ability to pause everything before it's executed (so i click pause for the timing fader, do the changes in the programmer, select the fade time on the fader clicks "play", and then the thing in the programmer executes in the selected time).

And of coarse, all this in combination with a new playback wing with motorised faders, and quick buttons to access the different pages. That would make especially busking a lot better on the Hog3. (As for now i would never choose the Hog3 for busking, GrandMa is my no1 choice there)

Of coarse i don't want the Hog to become a GrandMa-desk, but these features would make this disk so much better.
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  • Hi Eric,
    thanks for your reply.
    Ich know that I can make any fader a crossfader for the cuelist that is assigned to it.
    But this is not the feature I am missing.
    What I want is one fader that can be a crossfader for any cuelist.

    Like the GrandMAs crossfader:
    Set a time with the fader (0-10s) or manual crossfade.

    If the crossfader is set to a specific time any cuelist that you select in the directory should fade in that time. And if it would work for the releasetime as well, it would be perfect.
    This would save a lot of time in live situations so you don't need to have more than one cuelist for e.g. colours.
    Right now I always have two lists(just one cue): 1. fadetime/releasetime 0s, 2. fadetime/releasetime 2s.

    And if you could set this fader to do the same for the programmer, live programming would also be much easier.

    This is definitly one feature, that made me think of selling my hog3 and buying a MA desk.
    Sorry to say...
Reply
  • Hi Eric,
    thanks for your reply.
    Ich know that I can make any fader a crossfader for the cuelist that is assigned to it.
    But this is not the feature I am missing.
    What I want is one fader that can be a crossfader for any cuelist.

    Like the GrandMAs crossfader:
    Set a time with the fader (0-10s) or manual crossfade.

    If the crossfader is set to a specific time any cuelist that you select in the directory should fade in that time. And if it would work for the releasetime as well, it would be perfect.
    This would save a lot of time in live situations so you don't need to have more than one cuelist for e.g. colours.
    Right now I always have two lists(just one cue): 1. fadetime/releasetime 0s, 2. fadetime/releasetime 2s.

    And if you could set this fader to do the same for the programmer, live programming would also be much easier.

    This is definitly one feature, that made me think of selling my hog3 and buying a MA desk.
    Sorry to say...
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