work on Axon

[quote=stephlight]what could be fantastic is to have the oportunity to create the look directly on computer, drag and drop files in layers, open close move masks with mouse in layer window, move files position in layers with mouse.... and after create a look with times in the axon that would be send via DMX values, or, as I prefer, a function which send informations in the programmer of the console to save a cue. we could also have an interactive software with DL2s on a PC that would reproduce the interface of the axon wih slots for each DL2.

The best way to do this is to have an AXON hooked up to a local monitor.....create the look you want on the AXON and then simply CLONE that look to your DL.2s using the "copy" syntax from the H3.....worked great for me over the fall on tour in live situations b/c all the shows were outdoors in amphitheaters, and it did not get dark until just before the band hit.....did it for 16 weeks straight with no problems:headbang:

[quote=stephlight]what could be fantastic is to have the oportunity to create the look directly on computer, drag and drop files in layers, open close move masks with mouse in layer window, move files position in layers with mouse.... and after create a look with times in the axon that would be send via DMX values, or, as I prefer, a function which send informations in the programmer of the console to save a cue. we could also have an interactive software with DL2s on a PC that would reproduce the interface of the axon wih slots for each DL2.

The best way to do this is to have an AXON hooked up to a local monitor.....create the look you want on the AXON and then simply CLONE that look to your DL.2s using the "copy" syntax from the H3.....worked great for me over the fall on tour in live situations b/c all the shows were outdoors in amphitheaters, and it did not get dark until just before the band hit.....did it for 16 weeks straight with no problems:headbang: