A designer's response to the Ion

I have just finished teching my first show on the Ion/Eos (an Ion in my case) and thought that an LD's thoughts about the product might be helpful.

1.  In general, I like the consloe a great deal.  It has a number of cool new features that will prove to be powerful and time saving tools as I get to know this product.  It also retains enough of the functionality of the Obsession line that I felt pretty comfortable.

2.  The Auto-marking feature proved to be very useful for me.  It seems to work just as it should and prepped my fixtures in the previous cue with no effort.  Bravo!  One suggestion however would be the option to specify the cue that Auto-Marks or at least to force it one cue further back in the stack.  It is quite concievable that 2 cues might be close enough in time that a fixture might not have sufficient time to prep before becoming live.  I know that I can record the focus parameters in an earlier cue but then updating in the live cue doesn't seem to update the Mark.

3.  I like the independent time feature much more than I thought I would.  It will eventually probably eliminate my need for part cues which I never much liked anyway.

4.  I only began to explore the Palettes, Focus, Intensity, Color etc.  Seem like very good tools.  However, I wonder if I place them in a cue, then alter the settings in that cue and then Update the cue, have I altered the Pallette in all of it's occurences?  That would seem  to me to be a mistake.

5.  There are enough new features and concepts in this console that LD's are going to need some help getting on top of the capabilities.  While that is not a bad thing, we could use a little help.  The fact that channels now have multiple parts really condenses my hookup and I like that.  A simple glossary of terms and ideas (a "hot sheet") would be helpful as would a brief tutorial.

6.  I have a couple of seemingly trivial, but significant (to me) gripes.  The first is that the displays that I have at the RVI don't always mirror what the board operator is seeing.  I realize that I can go to my own displays from the RVI but my point is that I want to see what the operator is doing in real time.  I would learn the console more quickly and would have the comfort that I might prevent an error if I could see what was going on.  The operators DO NOT want the LD to be making changes on their own, so the lighting table philosophy will probably be "hands-off" for the LD. 

7.  The second gripe is the hard-to-read color that has been chosen for tracked levels.  I find that I cannot distinguish between 30 and 50 from more than about 2 feet away.  Could we PLEASE get a slightly brighter purple color?  PLEASE?  I should not have to ask the operator, "what level is 27 at?".  I just do not have the time in tech to spend on this.  Either a brighter color or a way to customize colors would solve this.  I think you'll find a lot of LD's having trouble with this one. 

8.  I miss the +10/-10 keys from the Obsession.  Is there a way to do this?

Parents
  • One more thing from Anne on another thread (I assume this is from your board op/programmer) 

    RPaulsen:

    more than about 2 feet away.  Could we PLEASE get a slightly brighter purple color?  PLEASE?  I should not have to ask the operator, "what level is 27 at?".  I just do not have the time in tech to spend on this.  Either a brighter color or a way to customize colors would solve this.  I think you'll find a lot of LD's having trouble with this one. 

     

    Anne Valentino:

    Hi there. Provided the monitors are properly tweaked, if you set the desk to High Contrast Mode in setup, you'll see magenta at very similar values you can see it on Obsession. There is increased variability in high-res monitors, but it shouldn't be far off (in high contrast mode).

    Hope this helps.

    a

     

Reply
  • One more thing from Anne on another thread (I assume this is from your board op/programmer) 

    RPaulsen:

    more than about 2 feet away.  Could we PLEASE get a slightly brighter purple color?  PLEASE?  I should not have to ask the operator, "what level is 27 at?".  I just do not have the time in tech to spend on this.  Either a brighter color or a way to customize colors would solve this.  I think you'll find a lot of LD's having trouble with this one. 

     

    Anne Valentino:

    Hi there. Provided the monitors are properly tweaked, if you set the desk to High Contrast Mode in setup, you'll see magenta at very similar values you can see it on Obsession. There is increased variability in high-res monitors, but it shouldn't be far off (in high contrast mode).

    Hope this helps.

    a

     

Children
  • Here are some of the notes I've gathered for my own "hot sheet" for the console:

    Split time: [Time] (x) [Time] (y)

     

    Hang = Follow after complete

     

    [+/-] (chan)             addsto or subtracts from current selection

     

    {TRACE} track back

     

    [At] [+] [Enter] and [At] [-] [Enter] can also be used forthe +10,-10 keys.

     

    to view discreet timingis to press and hold the [time] key.  If you want to see discreet timingfor a channel in a Q that is not active, you can press and hold [time] inblind.

     

    In spreadsheet, keychannel, [Select] then can use arrows

     

    Press pan/tilt wheels toswitch from coarse to fine

     

    "Open"functions always assume you want to replace any other existing show data, where"Import" always adds to the show file.

     

    Copy Palettes from one channel to others in same type ofdevice

    There are a variety of ways, but I would suggest:

    [Blind] [Color Palette 1 Thru 100]

    This will but you in color palette blind, with palettes 1 > 100 selected. All changes you make will now affect all of your selected palettes.

    [Chan 1 CopyTo 6 Thru 8].

    This will copy channel 1's levels into channels 6 thru 8, in all of your color palettes 1 thru 100.

     

     

    Additionally, ifyou need to switch a palette back from HSB, if you edit the palette in Blind,and rehit the color (I mean colour) frame, or tick the scroller wheel, it willswitch over, and HSB will be greyed out again.  The only big reason youmight want to do it in your situation is that a live fade across the HSB colourspace ( color picker) might end up a bit spastic.

    Conversely, if you havea colour mixing  fixture, want to fade by HSB but your palette is recordedCMY (or MYC on Ion) you can edit the palette in blind CP by grabbing theappropriate fixtures and clicking on their current location in the color picker

     

     Justfound that when working Offline, holding down F1  and pressing ; gives youan on-line list of Keyboard Shortcuts in the CIA.

     

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