What you see here is untinted white on stage from an ETC Lustr2, ETC Daylight (both in direct mode), Eurolight RGBW, Robin 800, Robin DLX4 and a Yilong RGBAW+UV.
As you can imagine, the colorpicker is quite useless with that. Now, every simple camera today has a white balancing option, cant you just implement a way to tell for a fixure-type or a certain colorspace just *what* white actually is - in other words, let us configure which channel color normal gets scaled by which factor to compensate for different physical vector intensities at 100% virtual intensity?
