Hi, I know what both of these do from experience but thought I'd post this as the manual is very confusing (to me at least).
In order to create a blackout (say) and have it maintain as a blackout no matter what I know to Block the entire cue. This works fine and any channels that I add later in previous cues won't track into my blackout cue.
However the manual confuses me as it states "Parameters that are not included in the cue are not impacted by the block instruction." This seems to suggest that any channels added afterwards (ie weren't in your blackout cue at the time you made it a Block cue) would be unaffected by the block flag and thus track into your blackout.
It seems to me that the manual should state that it will record a hard zero for every intensity channel that is not explicity another level for a cue block.
All of this is a Cue Block and not a Channel Block.
On the other hand All Fade seems to suggest that it WILL protect a recorded cue (say your blackout cue again) with hard data and never let any later added level track through into it when it states - "An allfade sends the intensity for all channels not included in the cue to zero."
In fact it appears (I think!) that All Fade will only fade out channels from OTHER cue lists to zero, or manual channels that are not captured
Similarly "The allfade instruction is useful as a quick cleanup, to get back to a known state on stage, without having to worry about what channels need to be set to zero." - I don't understand this as actually any channels subsequently added previous to an All Fade cue will simply track through that cue as normal.
I am sure that all these behaviours are exacly correct and as expected but for such an important concept on a tracking console they need to explained more concisely in the manual (certainly better than I am trying to explain it!)
Any others share my confusion or indeed use All Fade on a regular basis?
Cheers, Liam.