Fire & Ice Fixtures Together

What are the chances that ETC will release a 21" fixture with a Fire fixture in one cell and an Ice fixture in the other?  Would there be any benefit to this configuration over just a 21" Vivid-R fixture?  I've noticed theaters use a warm-gelled PAR and a cool-gelled PAR in pairs for top lighting.  That was the motivation of my question.

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  • I was wondering if anyone has explored the idea of a "fixture" library  that is a Fire&Ice unit combined into one channel.  Letting the console make the best color using all of the led's across both units?  Or should I just look at a Vivid-R instead?

  • Kevin,

    That is an interesting idea. As it so happens, Fire and Ice use the same footprint as a Vivid-R with respect to control channel assignments. You could patch both fixtures as a single Vivid-R on your console and address both units to the same starting address. You would get the benefit of added emitters in the respective areas of Fire and Ice and save on your DMX output count.

    It all depends on what you look you are wanting to achieve as Fire and Ice are both more targeted towards their respective ranges versus the Vivid-R which has been designed to give you a more balanced mix across the entire spectrum.

     

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  • Kevin,

    That is an interesting idea. As it so happens, Fire and Ice use the same footprint as a Vivid-R with respect to control channel assignments. You could patch both fixtures as a single Vivid-R on your console and address both units to the same starting address. You would get the benefit of added emitters in the respective areas of Fire and Ice and save on your DMX output count.

    It all depends on what you look you are wanting to achieve as Fire and Ice are both more targeted towards their respective ranges versus the Vivid-R which has been designed to give you a more balanced mix across the entire spectrum.

     

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