Feature Request: Redshift in Direct Mode - Source 4 LED Series 3 Lustr X8

I'm not sure what console you are using, but you could fake this in the cue list, just set you colour in the out fade as warmer than your base colour. I do this all the time on series 2 Lustr fixtures to make them look like incandescent S4s. In the base cue I'll set them off in amber, then I'll have a sub that brings them to full and fades to warm white. With the fresnel adapters they look like real PAR cans. The you just have to put a fade up and down time on the sub.

I run an Element 2 at my theatre, so this wouldn't be a viable solution. Additionally, having to use a fader to dim the fixture is too clunky and won't produce the effect I'm looking for here, as I want this to work regardless of the color being outputted. And I want this to be done at will as there are instances where I wouldn't use it, which is the nice thing about the Dimming Curve being a DMX parameter, as it can be recorded in cues. So, ideally what I want is to be able to do this in firmware and not on the console as trying to get the console to behave a certain way is more cumbersome (and the EOS dev team already have their hands tied up in 3.4) and it also won't work across console manufacturers.

Because I can't seem to edit the original post, I'll add this here.

After more thinking I've thought of a way that this would work especially with respect to how the current dimming curves actually work. When lowering intensity on the fixture, it is already adjusting the values of the emitters proportionally to the curve it's set to. The same could be done with the redshift where instead it adjusts the cooler emitters at a steeper curve than it does the warmer emitters. I understand from this article that calibrated direct mode is meant to provide the most granular control allowing the designer to fine tune their color mixes, however, I want to still be able to do this WITH the redshift correction. As the user I expect that using the redshift will mean that my indigos and blues aren't going to always look the same as they normally would without the redshift when using the same DMX values for color and intensity. The way I see it is I'm mixing my colors differently but accordingly to the natural redshift as the fixture dims. So, if I were to find a color I like with the fixture at full (or using a calibrated gel preset from the EOS color picker), I would like to be able to see that gel behave as it would if it was in an incandescent light source. Essentially, I want it to work normally trying to hold it's known color point as it normally would, but as it dims, it biases that color point towards the warmer part of the color spectrum until it is out. As a software engineer, I know that this should be possible, however, I also understand the intricacies and complexities of a development pipeline which is why I'd want to approach this on an individual basis as I know it would likely not make it to a full release version anytime soon. So, if anyone in R&D is willing to pick this up, I'd love to chat!